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A musical revolution, then a major dance work. Here, Nijinsky’s choreography is stylised as “tableaux of pagan Russia”. Two vast painted canvases are the backdrop for Earth’s renewal and The Chosen One’s sacrifice: intense group mouvements and sumptuous costumes. Altro Canto Part I, by the company’s director and dancers, is timeless dance in a kind of expressive abstraction: magical chiaroscuro beneath a row of hanging mobile candles.
A piece of sacred architecture celebrating bodies in motion.